Mo’Nique: Blackbird Is My ‘Love Letter’ to the Gay Community
The Blackbird star says she hopes her new film will spark conversations about homophobia and how it has devastated far too many lives.
BY DANIEL REYNOLDSAPRIL 24 2015 6:35 PM ET
Mo’Nique and Julian Walker
Mo’Nique and Julian Walker
In the opening scene of Blackbird, a new film directed by Patrik-Ian Polk (Noah’s Arc), the main character, Randy Rousseau (Julian Walker), is singing as the lead of his church choir in Hattiesburg, Miss. In the middle of the performance, a fellow singer surprises Randy — and the audience — with a declaration of love. The two disrobe in front of the shocked congregation and begin to kiss. There are gasps. One girl faints. And then Randy wakes up.
It was this scene that grabbed the attention of Mo’Nique, who plays Randy’s devout and mentally anguished mother — her first performance since winning an Oscar for Precious. In this scene she immediately recognized the importance of what was being addressed, and she ultimately also signed on as executive producer alongside her husband, Sidney Hicks.
“I looked at Sidney and said. ‘Daddy, if they put this up on-screen, it’s going to save lives,’” she says. “It’s going to open up hearts and minds, because we’ve never seen it in its rare form that way. We’ve never seen it so honest that way. It’s one of those movies that we truly believe will change people’s perspective.”
The film, based on a novel written nearly three decades ago by Larry Duplechan, tackles a number of hot-button issues that have not been addressed in major films before: homophobia in the black church, down-low culture, and even abortion, mental illness, and child abduction.
But overall, the Precious star says Blackbird is her “love letter” to the gay men she knew growing up who may have shared the experience of being the victims of homophobia, of being trapped in the closet like Randy. These are men who, despite their struggles, “accepted me with open arms,” she says.
“I watched them go through turmoil. I watched them go through so much pain of not being accepted by their families, of being put out of their homes, of not being accepted by the church,” she says. “So be able to do this type of movie … is such an honor.”
“I’ve seen too many people—men and women—struggle and fight with this,” she continues. “I’ve seen men and women get married, have families, go through a life of disappointment because that’s not really what they want. And then they have to get to a place where they have to tell their children and their spouse, ‘You know what? I can no longer hide this.’ And now [they]have to deal with the devastation of a family saying, ‘Oh, my God, this is who you are?’”
The message that she and her husband want to send to the world is “It’s enough. It’s enough for us to stop hurting, and hurting one another. It’s time for us to say, ‘Let’s make it a better place and accept people for who they were made to be.’”
Recently, Mo’Nique made headlines when she had been offered the part of Cookie Lyon on the hit Fox show Empire by Lee Daniels, its gay co-creator and her director on Precious. Coincidentally, these creative projects both address homophobia in the family unit — the patriarch of the family on Empire, Lucious Lyon, struggles to accept his gay son, Jamal, much as Mo’Nique’s character struggles to accept her (also musically talented) son, Randy.
“I haven’t actually seen Empire yet. I have small children. So if it’s not on Disney or Nickelodeon…” she says with a laugh. And while her character has a very dramatic reaction to her son’s sexuality in Blackbird, she loves that the film can also show how a black father, who in her production is played by Isaiah Washington, can love and support his son.
“What I appreciate about Blackbird is, when you watch Isaiah Washington, who plays Randy Rousseau’s father, it’s such a beautiful relationship, because you have this man saying to his son, ‘I brought you here, and I love you regardless. And no one can tell you how to be a man,’” she says.
“Lee Daniels is one of the most brilliant visionaries of our time,” she says of Daniels, who was thanked in Blackbird’s credits. “He is one of the most fearless directors of our time. So by no means am I surprised. And as I told him some years ago, it’s just a matter of time before the world realizes just how brilliant you are when it comes to putting a story on paper.”
Although Mo’Nique’s character in Blackbird is unaccepting of her son due to his sexual orientation, she is very much the opposite in real-life. If any of her four sons were gay, “they wouldn’t have to come out,” she says, because they know they will be accepted.
“They’re our babies. So whomever they were made to be, we love ’em,” she says.
Although three of her sons are still too young to see Blackbird, Mo’Nique looks forward to the day they will see it and learn the lessons of acceptance that the movie contains.
“When they’re old enough, yes, they will watch Blackbird. Because it’s one of those films where conversations need to be had,” she says. “They are to accept every single person for how they were made to be, without judgment. Because it’s not their job to judge.”
“We’re raising them to understand people are just people. And people can’t control who they were born to be. Nor should they have to,” she adds.
Ultimately, she hopes that people will see this film and take away a similar message of acceptance, which they will share at work, at the dinner table, and perhaps most importantly, at the Sunday church service.
“We hope the takeaway is simply acceptance,” she says. “We hope that we stop being so willing to devastate one another. We hope that the takeaway is love. In the movie, you hear Randy say, ‘God is love.’ You don’t hear him say, ‘God is love, but! God is love, however. God is love, except.’ It’s just ‘God is love.’”
Blackbird is out in theaters this weekend. Watch the trailer below.